In this essay I will be establishing the representations of Sycorax and Miranda as embodiments of alternative versions of femininity in The Tempest. I will deal how Sycorax is a representation of a strong, independent and feared char char, whose power and villainy makes her an outcast to Elizabethan society and how it portrays its women, in that woman were seen as objects to possess and control, and I will also discuss how in contrast, Miranda is seen as an ideal woman of her time, through her beauty, obedience to her father, thereof submissive to mans rule and through her naivety. Using the passage in The Tempest where Prospero reminds Ariel about Sycorax, we get an impression about Sycorax, who she is and how she looks to Prospero and Ariel. Prospero Describes Sycorax as a non-white, Algiers (1.2.261), who is an old and ugly woman whose outwards cathexis seems to mirror her inner malevolence. He describes her by referring to her as a Blue-eyed Hag(1.2.269) which is seen supposedly as a shtup of imperfection on a woman as at that time the eyes of beauty were most frequently seen as grey or brown, thus symbolically describing Sycorax herself as cosmos an imperfection to society. Prospero also refers to her illegitimacy of her pregnancy within the passage, which suggests lust, was hither brought with child... (1.2.
269) another characteristic that is not seen as ideal in a woman. In contrast to Sycorax, Miranda is seen as the ideal woman throughout The Tempest. Many times in the book she is referred to as a Goddess, characterised as beautiful, naïve and innocent, everything Sycorax condemns in her ugliness, lack of ! lawfulness and appearance of power. Miranda further exemplifies the ideal woman by be a virgin, a woman of virtue, as stated by Ferdinand, O, if a virgin, and your affections not gone fourth, Ill make you the poof of Naples. (1.2.447-449) Where we are again reminded how Sycorax is not a virgin and is and then seen as impure, a whore....If you want to get a full essay, order it on our website: OrderCustomPaper.com
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